• Home
  • About Us
  • Shop Gutters & Panels!
  • Slam Masters Podcast

Gutters and Panels Gutters and Panels

  • Home
  • About Us
  • Shop Gutters & Panels!
  • Slam Masters Podcast
Cover detail from Forever Evil #1. Art by David Finch. DC Comics.

Cover detail from Forever Evil #1. Art by David Finch. DC Comics.

Podcasts: 'No Better Than Boomerang' on 5by5's Giant Size

Cover detail from Forever Evil #1. Art by David Finch. DC Comics.

Cover detail from Forever Evil #1. Art by David Finch. DC Comics.

Ok, for real - this is one of our best episodes.  Host Moises Chiullan and I discuss the current interest in villain comics, from DC's "Villains Month" to Marvel's use of Thanos to Image's superlative Bedlam and more! A good portion of the discussion centers around our mutual love of Superior Foes of Spider-Man, but that's not all, I promise! This episode also includes a 1-on-1 interview with Antony Johnson, creator of Wasteland and Image's fantasy Umbral (with Chris Mitten).

You can listen to the show here or subscribe to Giant Size via iTunes. 

Posted in Opinions, podcasts and tagged with 5x5, giant size, moises chiullan, nick spencer, antony johnson, dc comics, marvel, image comics, bedlam.

October 30, 2013 by John Gholson.
  • October 30, 2013
  • John Gholson
  • 5x5
  • giant size
  • moises chiullan
  • nick spencer
  • antony johnson
  • dc comics
  • marvel
  • image comics
  • bedlam
  • Opinions
  • podcasts
  • Post a comment
Comment
Panel detail from Glory. Art by Ross Campbell. Image Comics/Rob Liefeld.

Panel detail from Glory. Art by Ross Campbell. Image Comics/Rob Liefeld.

Podcasts: "Not the 'Saga' Episode" on 5by5's Giant Size

Panel detail from Glory. Art by Ross Campbell. Image Comics/Rob Liefeld.

Panel detail from Glory. Art by Ross Campbell. Image Comics/Rob Liefeld.

So...Since my last update, the list of DC Comics' "departures, firings, and bridge-burnings" has gone viral . It's been a strange experience seeing comic pros I follow on Twitter (and whose careers I've followed for years as a fan) share the link to something I wrote, and it's certainly not how I ever wanted to end up on DC's radar, but here we are. Thanks to everyone who's spread the link, and special thanks to the dedicated comics bloggers who are reporting the changes in the first place. My day job and personal life get in the way of regular updates here at G&P, but you can always follow me on Twitter at @gholson and the site at @gutterspanels.

I talk about the list on the latest episode of 5by5's comic podcast Giant Size, but it's not the main focus of the show. The real reason I'm in-studio with host Moises Chiullan is to discuss our all-time favorite books from Image Comics, both old and new. You can listen to the show here or subscribe to the podcast through iTunes.

Posted in Comics I Love, podcasts, Opinions and tagged with giant size, 5x5, moises chiullan, image comics, dc comics, new 52.

September 10, 2013 by John Gholson.
  • September 10, 2013
  • John Gholson
  • giant size
  • 5x5
  • moises chiullan
  • image comics
  • dc comics
  • new 52
  • Comics I Love
  • podcasts
  • Opinions
  • Post a comment
Comment
​Panel detail from Injustice: Gods Among Us #3, art by Mike Miller. DC Comics.

​Panel detail from Injustice: Gods Among Us #3, art by Mike Miller. DC Comics.

Some Thoughts on 'Injustice' #3 aka the One Where Superman Punches Lois Lane to Death

​Panel detail from Injustice: Gods Among Us #3, art by Mike Miller. DC Comics.

​Panel detail from Injustice: Gods Among Us #3, art by Mike Miller. DC Comics.

Injustice: Gods Among Us, the comic book tie-in to the upcoming video game with the same name, was first brought to my attention on the Word Balloon podcast, where, in all honesty, it sounded pretty good. Host John Siuntres is an old-school DC fan, so when he gets ebullient about a DC Superhero story, my ears perk up. Writer Tom Taylor was the guest and Taylor sounded genuinely excited about the amount of leeway he'd been given, to play with the biggest stars of the DCU outside of regular continuity. In retrospect, this freedom was probably a bad idea.

​Chris Sims, who does great work over at Comics Alliance, drew my attention to the comic in a different way, through the masochistic joy he gets in finding the worst of the worst comic books. He took a look at the first few issues of Injustice, and declared it "the dumbest comic you'll read all year." He mentioned a few specific plot points, most of them idiotic, and the most offensive of these bits takes place in issue #3 - a comic that finds Superman punching his pregnant wife so hard that it kills her and sends her flying into space. Sure, he's hallucinating that Lois Lane is Doomsday, but the event still happens. Sims has a pretty thorough critical breakdown of the series, so I'm not going to do that here, but I am going to pound the stump, pull up a soapbox, and cry in the streets to anyone who will listen that DC Comics allowing Superman to punch Lois Lane and his unborn child to death is easily one of the stupidest things that the company has ever allowed in its long, long history.

​And somewhere, some editor (Jim Chadwick, editor of Injustice?) is wringing his hands with glee, thinking, "This is exactly why we allowed it! We want to get people talking about comics!" Well, that's all fine and good, but how about we do it without resorting to the most pure fictional symbol of Truth, Justice, and the American Way slugging a woman in the gut so hard that she leaves the Earth's atmosphere? There's a lot of discussion about sexism in comics and video games, and hooray - DC gets to be a part of that discussion now, on the totally wrong side of it, by promoting their upcoming video game with a story that, and I can not understate this, hinges on Superman beating a woman to death.

​The death of another Robin just got a bunch of press, but for whatever reason, this Lois Lane death isn't getting talked about. I understand that it's "just" a video game comic, and therefore has no bearing on the "real" DC Universe, but we're still talking about a comic book product that DC published starring their flagship characters, and geared specifically toward non-comic readers. They are asking for an audience outside of their usual buyers, and with Injustice specifically, they seem to be courting the video game audience by giving them what they think that audience wants, namely extreme moments of shock value violence. They want to show the Mortal Kombat crowd how awesome and dark Superman can be by having him be a woman-punching baby-killer.

​First of all, this is insulting to video game fans because the assumption is they're all immature, bloodthirsty, and desensitized. It's insulting to comic book readers because - while it's all fine and good to tell a story outside of continuity - there are certain things you just don't do with the characters. I would say that Superman beating women to death, hallucination or not, is so beyond what people expect of Superman in an all-ages comic that all may be lost with DC's new editorial regime. If there's one thing they should care about, it's the sanctity of their individual properties. If they don't care about that, then they really shouldn't be safeguarding these characters. Thirdly, and it's the point I shouldn't have to make, it's especially troubling to female readers. There's a conversation going on right now about the marginalization of female geeks that can not be ignored. Injustice #3 does its best to ignore that conversation, and reinforces DC as an ignorant company that doesn't understand why decisions like this would offend anyone. It's an all-around stupid creative decision, and they should be called out for it. If DC can't even comprehend why Superman beating ladies to death is wrong, then it's time for a complete housecleaning at the top of the creative chain.

​

Posted in Opinions, Quick Thoughts and tagged with superman, lois lane, dc comics, injustice, injustice gods among us.

March 20, 2013 by John Gholson.
  • March 20, 2013
  • John Gholson
  • superman
  • lois lane
  • dc comics
  • injustice
  • injustice gods among us
  • Opinions
  • Quick Thoughts
  • 12 Comments
12 Comments
​Art from a "Women of Marvel" poster by Alan Davis. Marvel Comics.

​Art from a "Women of Marvel" poster by Alan Davis. Marvel Comics.

Why Doesn't Marvel Have a "Wonder Woman" of Their Own?

​Art from a "Women of Marvel" poster by Alan Davis. Marvel Comics.

​Art from a "Women of Marvel" poster by Alan Davis. Marvel Comics.

​This post was inspired by two things: Brett White and a grocery bag. Brett White is a writer for Comic Book Resources and Marvel.com as well as the host of the Matt & Brett Love Comics podcast; grocery bags are bags you use to carry groceries. White tweeted a question of whether Black Widow or Carol Danvers (now Captain Marvel) were as identifiable as the X-Men Storm, Rogue or Jean Grey. I responded that I think Black Widow is more a part of the public consciousness than Jean Grey, but White's larger point is that Marvel doesn't seem to have their own Wonder Woman - a female character at the forefront of their company identity.

​I carry groceries in this now! Excelsior!

​I carry groceries in this now! Excelsior!

The night before this conversation, I bought a grocery bag. Austin is doing away with plastic bags,​ so I snagged a reusable one from a display filled with licensed character bags. The Marvel Heroes bag I bought features brightly-colored images of Spider-Man, Wolverine, and Hulk. If I'm going to lug milk and bread around, why not do it in the geekiest possible way?

​There's no women on that bag, and I started to wonder - had I ever seen a woman on Marvel's Marvel Heroes licensed merch? Marvel Heroes is the "catch-all" branding Marvel uses for electric toothbrushes and bubble gum, typically featuring a quartet of heroes (the ones I mentioned above and usually Iron Man) posing against a non-descript blue background. If this were a "DC Heroes" bag featuring three characters, the probability of Superman, Batman, and Wonder Woman would've been pretty high.

In the 70s, Marvel made an effort to include Spider-Woman in a lot of their licensing, but since then, no female superhero has had that kind of profile. Storm is a fantastic candidate, due to her iconic look and general recognizability, but the character I saw pop-up the most often on Marvel Heroes licensing through a Google search (and not that often, really) was Black Cat (and on a different topic, is the unusual choice of Black Cat a way to add sex appeal to merchandise aimed at boys? That's disturbing, if so).

If Marvel wants their own Wonder Woman, they've got to put a face front-and-center in the world of licensing, and they've got to do it consistently. Pick a flagship female character (or two) and make sure they always show up on everything, every nightlight, pajama set, and party hat, right alongside Spider-Man and Wolverine. DC works hard to make sure that Wonder Woman is a viable licensing draw, so what's keeping Marvel from creating their own? 

​

Posted in Opinions, Quick Thoughts and tagged with marvel, dc comics, wonder woman, brett white.

February 22, 2013 by John Gholson.
  • February 22, 2013
  • John Gholson
  • marvel
  • dc comics
  • wonder woman
  • brett white
  • Opinions
  • Quick Thoughts
  • Post a comment
Comment
hulk5x5.jpg

Podcasts: "Taste the Hulk Rainbow" on 5by5's Comic Shack

hulk5x5.jpg

I was invited to appear on 5by5's Comic Shack podcast to discuss the Hulk with host Moises Chiullan, in the wake of Marvel's rumored Hulk film plans (Planet Hulk? World War Hulk?!?!). We talk about our Hulk fandom, our favorite creators and storylines, and what books to pick up if you're interested in the ol' Green Goliath.

You can listen to that podcast here or subscribe via iTunes. Links to all of the books we discussed can be found here. HULK SMASH!

Posted in Opinions, podcasts and tagged with 5x5, marvel, incredible hulk, indestructible hulk, hulk, moises chiullan.

February 9, 2013 by John Gholson.
  • February 9, 2013
  • John Gholson
  • 5x5
  • marvel
  • incredible hulk
  • indestructible hulk
  • hulk
  • moises chiullan
  • Opinions
  • podcasts
  • Post a comment
Comment
Cover detail from Captain Marvel #9, art by Jamie McKelvie. Marvel Comics.

Cover detail from Captain Marvel #9, art by Jamie McKelvie. Marvel Comics.

The Trophy Room: Frankenstein, Captain Marvel, and Talking Cats

Cover detail from Captain Marvel #9, art by Jamie McKelvie. Marvel Comics.

Cover detail from Captain Marvel #9, art by Jamie McKelvie. Marvel Comics.

Hello, folks. I've asked Jacob Hall to come up with a regular feature, and this is it, in its inaugural form - The Trophy Room. Jacob is a writer for Screencrush.com and Movies.com, and a lover of storytelling in all of its forms. With The Trophy Room, he'll give weekly awards to the comics that he thinks stand out.

Welcome to the Trophy Room, where I'll recap my week in comics through arbitrary awards. Everyone's a winner! Unless you're a loser. And then you're probably not a winner. Sorry.

Hickman-iest Comic of the Week: New Avengers #2

The second issue of New Avengers has everything you'd expect from a comic penned by Jonathan Hickman: a few dramatically blank (wasted) pages, lots and lots of dialogue that's bound to pay off three times over in twenty issues and a villainous scheme so complex that it literally requires Mr. Fantastic to pull a Doc Brown and draw a diagram to explain it to the rest of the Illuminati (and the reader). This book certainly isn't going to win over Hickman's detractors, but if you like your superhero stories decompressed and filled with all kinds of nutty hard science fiction, well…then you really should be reading New Avengers.

Unadorned variant cover to Savage Wolverine #1, art by Milo Manara. Marvel Comics.

Unadorned variant cover to Savage Wolverine #1, art by Milo Manara. Marvel Comics.

Least Hickman-iest Comic of the Week: Savage Wolverine #1

On the opposite end of the spectrum from New Avengers, you'll find writer/artist Frank Cho's Savage Wolverine, which manages to squeeze a ridiculous amount of action and momentum into its debut issue. I'm not enough of a Wolverine fan to pick up issue two (I hugely prefer Jason Aaron's silly take on the character over the every-popular growling badass), but this is a perfectly fine book that's going to please fans of the character and satisfy those who hungering to see Wolverine snikt his way through legions of baddies.

Best Use of a Talking Cat: Saga #9

What's up with talking cats becoming the break-out characters in my favorite books? Socks, the Animal Totem turned house cat over in Jeff Lemire's Animal Man, is somehow one of the best characters currently inhabiting the DC universe, but he's got stiff competition in this category from Lying Cat over in Image's Saga. The sidekick/companion of the mercenary known as The Will, Lying Cat is able to detect whenever a character is lying, no matter how petty the mis-truth. It's no exaggeration to say that I laugh out loud each and every time Lying Cat makes an appearance, so I was more than happy to spend an issue away from the series' protagonists and get to know The Will and his world a little better. This issue doesn't get the Comic of the Week award only because this series would win that honor every time it comes out and that's just not fair.

Best Horror Comic Disguised as a Batman Comic: Batman #16

There are parts of me that are deeply uncomfortable with Scott Snyder's Batman, mainly because I can't help but imagine an eight-year-old Batfan picking up an issue and being traumatized for life. But I'll just have to get over that because Snyder and artist Greg Capullo have turned Batman into one helluva horror comic, albeit one starring the Caped Crusader. Although the "Death of the Family" arc has been consistently unsettling, issue #16 is a special brand of grotesque, following Batman as he navigates an Arkham Asylum that's been completely taken over by the Joker. Readers looking for more friendly Batman adventures should check out John Layman's exceptional Detective Comics - Snyder's is a comic for grown-ups with strong stomachs.

Cover to Frankenstein: Agent of S.H.A.D.E. #16, art by Alberto Ponticelli. DC Comics.

Cover to Frankenstein: Agent of S.H.A.D.E. #16, art by Alberto Ponticelli. DC Comics.

Most Confounding Final Issue For a Series That's Been Unceremoniously Cancelled: Frankenstein: Agent of S.H.A.D.E. #16

Despite being one of the most consistently entertaining titles on the stands, Frankenstein: Agent of S.H.A.D.E. is no more and its final issue is baffling, to say the very least. That doesn't mean it's bad, per se, it just means that it ignores everything that went down in the past couple of issues, leaps backwards in time, revives a bunch of dead characters and tells a story set prior to the events of the "Rotworld" crossover event. I get why this happened - it lets the series end with our titular hero and his Creature Commandos triumphant - but it feels wrong, especially since the whole "Rotworld" thing is still ongoing over in Swamp Thing and Animal Man, leaving Frankenstein's side of the tale feeling woefully incomplete. This is a perfectly entertaining issue, but there's something quietly insulting about it. Instead of an actual ending, this final issue promises future adventures…which we'll never get. Because the series is canceled. Delightful.

Runner-Up Comic of the Week: Daredevil #22

Fact: there is no superhero book on the stands better than Daredevil. Mark Waid and Chris Samnee continue to tell the ever-pitch dark story of Matt Murdoch without wallowing in grime, walking the finest of fine lines between fun and morbid. Daredevil is telling a story about damaged people at the end of their ropes, but it's still, somehow, an absolute joy and pleasure to read. Bonus points for Waid's take on the Superior Spider-man, which made me realize that character is going to be genuinely hilarious as he navigates the dense Marvel Universe.

Comic of the Week: Captain Marvel #9

For its first eight issues, Kelly Sue DeConnick's Captain Marvel has been a consistently entertaining series with a solid grasp on its characters and fun (if not especially memorable) conflicts. Well, something went wonderfully right with issue #9 and the result isn't just good: it's Matt Fraction's Hawkeye and Waid's Daredevil good. Instead of sending Carol Danvers on another journey through time and having her fight another giant robot, DeConnick sends the former Ms. Marvel on her most interesting adventure to date: a very, very busy day in New York City (drawn by Filipe Andrade, whose anime-influenced pencils are stunning). By keeping her on the streets instead of in the cosmos, DeConnick grounds Danvers and her conflicts, making scenes like a battle with two time-displaced dinosaurs somehow relatable (because it's going to make her late for her cat's vet appointment, you see). I don't know if this signals a major shift in the book's tone or if it's just a one-off, but consider me a big fan of this (pardon the pun) grounded Captain Marvel.

Posted in Reviews, Opinions, The Trophy Room and tagged with marvel now, jacob s hall, saga, frank cho, captain marvel, john layman, daredevil, kelly sue deconnick, mark waid, jonathan hickman, scott snyder, savage wolverine, batman, chris samnee, new avengers, frankenstein agent of shade.

January 18, 2013 by John Gholson.
  • January 18, 2013
  • John Gholson
  • marvel now
  • jacob s hall
  • saga
  • frank cho
  • captain marvel
  • john layman
  • daredevil
  • kelly sue deconnick
  • mark waid
  • jonathan hickman
  • scott snyder
  • savage wolverine
  • batman
  • chris samnee
  • new avengers
  • frankenstein agent of shade
  • Reviews
  • Opinions
  • The Trophy Room
  • Post a comment
Comment
Newer
Older

Gutters and Panels Gutters and Panels

John Gholson's comic book blog!
Celebrating all comics with news, reviews, and opinions.
  • Home
  • About Us
  • Shop Gutters & Panels!
  • Slam Masters Podcast
Tag Cloud Block
This is an example. Double-click here and select a page to create a cloud of its tags or categories. Learn more
  • Art
  • Day Trip
  • Handmade
  • Love
  • Pic of the Day
  • Playlist
  • Portrait
  • Pro Tip
  • Road Trip
  • Studio
  • Things to Do
  • Yummy
twitter

All content Copyright John Gholson 2012.